Jennifer grace
Principal • Joined Colorado Ballet in 2020
Hometown: Bozeman, Montana
Jennifer Grace began dancing at The Dance Center in Bozeman, Montana at the age of 7. At 13, Miss Grace moved to Moscow, Russia to continue her training at The Bolshoi Ballet Academy. After
finishing her schooling at Dmitri Kulev Classical Ballet Academy in Southern California, Jennifer was hired by Tulsa Ballet’s Second Company in 2013 and was promoted to Corps de Ballet
in November of that same year following her performance as Tatiana in Christoper Wheeldon’s “MidSummer Nights’s Dream”. By 2017, she was a Soloist with the
company and had performed many principal and soloist roles. In 2020 Jennifer joined Colorado Ballet and was promoted to Principal with the company in 2021 following her primer as the title
character in “Giselle”. She has had the opportunity to perform with Vail Dance Festival and Yellowstone International Arts Festival's "Stars on the Yellowstone" as well
as performed works by choreographers such as Christopher Wheeldon, Derek Deane, Ben Stevenson, William Forsythe, Nacho Duato, Wayne McGregor and Alejandro Cerrudo. Jennifer was Pointe
Magazine's August/September 2018 Cover Star.
Jennifer's selected roles and ballets include Giselle in Giselle, Juliet in Derek Deane's Romeo and
Juliet, Marguerite in Val Caniparoli’s Lady of the
Camellias, Odette/Odile in Swan Lake, Swanhilda in Coppelia, Daisy in Jorden Morris’
sThe Great Gatsby, Cinderella and Fairy Godmother in Ben
Stevenson’s Cinderella, Music in Yoshihisa
Arai’s S. Rachmaninoff, Lucy in Michael
Pink's Dracula, Aurora and Lilac Fairy in The Sleeping Beauty, Hermia and Titania in Wheeldon’s A Midsummer Nights Dream, Lead in George
Balanchine’s Rubies, Lead in Arai’s Bolero, Dorothy, Glinda and, Diamond Queen in Liang’s Dorothy and the Prince
of Oz, The Man I Love Pas and Rhapsody in Blue Soloist
in Derek Deane’s Strictly Gershwin, Marianela in
McGregor’s Infra, Flora in Ben
Stevenson’s Dracula, Solo Woman in
Duato’s Rassemblement, Rooster Girl in Sr. Christopher
Bruce’s Rooster, Myrtha in
Angelini’s Giselle, Facinatin’ Rhythm solo and The Man
I Love Pas in George Balanchine’s Who Cares?, Dark Angel and
Waltz Girl in George Balanchine’s Serenade, Mercedes and Queen of the
Dryads in Holmes’ Don Quixote, Purse Lady in Jerome
Robbins’s Fancy Free, Partisan Woman in Kurt
Jooss’s The Green Table, Paul Taylor’s Company B, David Dawson’s Million Kisses to my Skin, Alejandro Cerrudo’s Second To Last and Extremely Close, Alexander Ekman’s Cacti, and Going for Baroque and Prawn Watching by Val Caniparoli.
Jennifer has also been part of original works by choreographers such as Adam Hougland, Edwaard Liang, Annabelle Lopez Ochoa, Hellen Pickett, Young Soon-Hue, Nicolo Fonte, Ma Cong, Jorma Elo,
Luciano Cannito, and Dwight Rhoden.
